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A brilliant neurosurgeon finds his life in utter turmoil after getting involved with a psychopathic former patient. Monster 2004 Episode 60
Monster 2004 Episode 60 (モンスター) anime 2022 all full episodes for free in high-quality streaming. Monster 2004 Episode 60
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Synopsis Monster 2004 Episode 60
Dr. Kenzou Tenma, an elite neurosurgeon recently engaged to his hospital director’s daughter, is well on his way to ascending the hospital hierarchy. That is until one night, a seemingly small event changes Dr. Tenma’s life forever.
While preparing to perform surgery on someone, he gets a call from the hospital director telling him to switch patients and instead perform life-saving brain surgery on a famous performer. His fellow doctors, fiancée, and the hospital director applaud his accomplishment; but because of the switch, a poor immigrant worker is dead, causing Dr. Tenma to have a crisis of conscience.
So when a similar situation arises, Dr. Tenma stands his ground and chooses to perform surgery on the young boy Johan Liebert instead of the town’s mayor. Unfortunately, this choice leads to serious ramifications for Dr. Tenma—losing his social standing being one of them. However, with the mysterious death of the director and two other doctors, Dr. Tenma’s position is restored. With no evidence to convict him, he is released and goes on to attain the position of the hospital director.
Nine years later when Dr. Tenma saves the life of a criminal, his past comes back to haunt him—once again, he comes face to face with the monster he operated on. He must now embark on a quest of pursuit to make amends for the havoc spread by the one he saved.
Related Anime Monster 2004 Episode 60
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Reviews Monster 2004 Episode 60
Monster plays out like a macabre game of cat and mouse in a world that is frighteningly similar to real life. Uncomfortable subjects such as coercive human conditioning and the psychology of the sociopath, morality issues regarding the origin of evil and the value of human life, are horrifyingly, yet engagingly, realized. The protagonist, Dr. Tenma, struggles to fix that which is so remorsefully broken in his world. Monster is a chilling tale rooted in reality, a far cry from the superpowers and supernatural forces found in more detached fantasy series.
The writing in Monster is exceptional. The pace is a slow burn that smartly captivates the viewer with moments of shock, awe, and depravity, which are masterfully combined with well executed moments of anticipation and proper denouement. Once the show has established the setting and many of the players, the series begins a thrilling, rollercoaster of action, suspense and character development. Viewer will rarely feel as though they have missed an important piece of information, and will instead find themselves riveted to the screen as the overarching mystery unfurls.
Dialogue is not wasted in frivolity for Monster. The anxious atmosphere is enhanced with carefully crafted lines that provide insight into characters’ personalities and cast shadows of suspicion. The intelligent interconnectedness of all the characters, especially towards the climax of the show, speaks volumes about the care given to crafting living individuals in appropriate circumstances.
The art both augments tone and adds layers of character to the series. The dynamic use of light and shadow often creates red-herrings, skewing the faces of particular characters into unforgiving masks. Character designs stand out for their realism and attention to facial structure, especially regarding emotions.
Variety in body type distinguishes characters, allowing viewers to immediately recognize someone from their visage, or even their silhouette, without hesitation. Characters who are old look old, with age lines harrowed into sagging skin. There are distinct differences given to dissimilar nationalities, so much so that the viewer can easily determine whether a character is of Asian, Slavic, or Middle-Eastern decent.
The background art is a feat in and of itself. There is a wonderful variety spreading from pastoral vineyards to dilapidated cities. German towns and districts such as Düsseldorf, Bavaria, and Hamburg are executed to a near photorealistic quality that extends into the Czech Republic and France.
Everyone in the voice acting crew does well. They suit their characters perfectly and never falter, even in the more dramatic scenes. Sasaki, Isobe, and Kiuchi (Johan, Lunge, and Tenma respectively), give outstanding performances that express the complexity of the emotions, personalities, and experiences of their characters.
The sound effects used throughout the series serve to add an additional layer of realism. As a testament to Monster’s focus on being accurate even in minute details, each gunshot correctly reflects the weapon which was used to fire it.
The OP gives you a hint of what to expect and the ED, “For the Love of Life” by David Sylvian, is one of the spookiest ending themes in anime. The soundtrack should also be commended for its spectacular use of subtlety. It truly fits the idea of “background music,” often setting the tone of the scene with a simple phrase. Additionally, whilst the series has a relatively limited tracklist, the music never feels repetitive.
Perhaps Monster’s greatest strength lies in the depth of its characters, with the main cast representing some of the strongest leads in the genre, whilst those in the supporting roles are often defined far better than the regular cast in many other series. The show manages to bring its characters to life with extraordinary clarity, and although viewers will be “dazzled” by the quality of the lead roles, they may often find themselves growing attached to the minor characters over the course of the series.
The centrepiece of the series is the complex relationship between the Tenma and Johann. Tenma’s emotional, physical, and psychological transitions lead the audience through a complex maze of issues regarding personal and social morality. This is remarkably achieved without losing Tenma’s basic humanity or resorting to didacticism, and contrasts sharply with Johan’s manipulations and calculations which strike a cold, appallingly realistic note with the audience.
The supporting ensemble does a great job of adding intensity and gravity to the relationship between Tenma and Johan. They are all well crafted and executed, and often have their own demons and battles that remind the audience of what precisely lies in the balance between good and evil. Discovering why these people are the way they are and how they relate to each other is half the journey as a viewer.
From its brilliant characters with outstanding development, to its well-paced story and realistic setting, Monster will leave you on the edge of your seat. Finding a show like this is a real treat, and whilst 74 episodes may seem daunting, it is utterly worthwhile in light of the great journey taken. The show’s dramatic storyline and intrigue filled atmosphere will keep you guessing, thinking, and feeling. The complex issues and relationships addressed throughout mark this as one of the most unique anime to appear in many years, and the questions it asks should be confronted by everyone at least once.
Monster is a true rarity in anime. The quality of its story, cast and production have earned it widespread acclaim, even garnering it plaudits from the “hate what’s popular” clique. It is both entertaining and enlightening, and the sheer depth of the series has led to it being widely regarded as a modern classic of anime.
This review is the final result of a review team composed of members from the “Critics and Connoisseurs” club. The team original members were:
Lowell – Writer
Calla – Writer
Sai_notts – Writer
Revisions were done by:
noteDhero – Writer/Editor
naikou – Writer/Editor
Editing was done by:
Here are their individual scorings for the show:
Category – noteDhero, naikou
Story – 10, 10
Art – 9, 9
Sound – 9, 9
Character – 10, 10
Enjoyment – 10, 10
Overall – 10, 10
In the club-wide poll held for Monster it received an average overall rating of 9.16
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