Spirited Away Movie 2001

Spirited Away 2001

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During her family’s move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts. Spirited Away anime movie 2001  for free in high-quality streaming.

Spirited Away 2001 (Sen to Chihiro no Kamikakushi, 千と千尋の神隠し) watch online for free. 

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Spirited Away Movie 2001

Spirited Away 2001

 

Synopsis Spirited Away 2001

Stubborn, spoiled, and naïve, 10-year-old Chihiro Ogino is less than pleased when she and her parents discover an abandoned amusement park on the way to their new house. Cautiously venturing inside, she realizes that there is more to this place than meets the eye, as strange things begin to happen once dusk falls.

Ghostly apparitions and food that turn her parents into pigs are just the starts—Chihiro has unwittingly crossed over into the spirit world. Now trapped, she must summon the courage to live and work amongst spirits, with the help of the enigmatic Haku and the cast of unique characters she meets along the way.

Vivid and intriguing, Sen to Chihiro no Kamikakushi tells the story of Chihiro’s journey through an unfamiliar world as she strives to save her parents and return home. Spirited Away 2001

Background Spirited Away 2001

Sen to Chihiro no Kamikakushi was the highest-grossing film in Japanese history, with a total of ¥30.4 billion from Japanese box office sales alone. It is also the most successful film to debut from Japan, with a total of $289 million worldwide.

This critically acclaimed film has won numerous awards, including the Academy Award, more commonly known as “Oscar”, for Best Animated Feature at the 75th Academy Awards in 2003, as well as the Golden Bear at the 2002 Berlin International Film Festival (alongside Bloody Sunday).

It is also among the top ten in the British Film Institute’s list of the “50 films you should see by the age of 14”. The English version of Sen to Chihiro no Kamikakushi was dubbed by Walt Disney Pictures and premiered in 2002. The film was released on DVD and VHS formats in North America by Buena Vista Home Entertainment in 2003. Spirited Away 2001

Staff Spirited Away 2001

Suzuki, Toshio
Suzuki, Toshio
Producer
Ishii, Tomohiko
Ishii, Tomohiko
Assistant Producer
Miyazaki, Hayao
Miyazaki, Hayao
Director, Script, Storyboard
Kimura, Youmi
Kimura, Youmi
Theme Song Performance, Theme Song Composition

Opening Theme Spirited Away 20001

Ending Theme Spirited Away 20001

Spirited Away Movie 2001

Spirited Away 2001

Reviews Spirited Away

1.

Dec 11, 2008
Aeterna (All reviews)

When I first saw the movie, I didn’t see what the big deal was. All right, so a girl gets whisked away to a fantasy world? We’ve heard that story before. And, unlike many other movies, there’s no dramatic love story or epic battles and action scenes to keep you at the edge of your seat. Consequently, I didn’t think of it as being very exciting.

Still, I watched it again and, for some reason, I got it the second time around. Spirited Away isn’t meant to be anything grand, with all the bells and whistles. It has a quiet, subdued way of telling a simple story about a simple girl in a very strange world. Instead of expecting something huge, just sit back, watch, and appreciate the world and story Miyazaki has finely crafted for us all to enjoy. Spirited Away 2001

To get to the technical aspects… Spirited Away 2001

The art is, of course, amazing. The colors are rich and the animation is fluid. When Chihiro and her family first walk into the spirit world, you can practically feel the breeze as you watch it whisk through the grass. The lights of the spirit world at night are breathtaking. Spirited Away 2001

And watching the train ride closer to the end of the movie, coupled with the amazing music score (the track is called " The Sixth Station"), remains one of my most favorite animation sequences out of anything I’ve seen. This brings me to another point: the music. Spirited Away 2001

I will get this out of the way first – Joe Hisaishi is one of my favorite composers. His music style is very simple, but he makes every note count. Most of his music is quite subdued in nature and takes a careful ear to notice when your eyes are being captivated by what’s going on in the screen, but do take notice if you have the chance. Or search on YouTube for videos of his live performances. Spirited Away 2001

His music is a joy to listen to. Like with Spirited Away, Hisaishi’s music lacks all the " bells and whistles" per se, but its beauty lies in its simplicity. Hisaishi has not failed here in Spirited Away 2001.

I dearly loved the characters. One of the best parts of this movie, for me, was that it lacked any clear good or evil characters. Everyone has a bit of both, though perhaps some allow the evil sides of them to come out a bit more obvious than others. Spirited Away 2001

In this way, it’s very realistic. Granted, the characters were all quite predictable and Chihiro grated on my nerves at times, but overall, I enjoyed each and every one of the characters Miyazaki has created here.

Overall, Spirited Away is one of my favorite movies and will always be a treasured item in my small DVD collection. It requires some patience to get through since it’s not packed with action or drama, but it’s a nice fairy tale to watch and enjoy. Spirited Away 2001

2.
Nov 19, 2015
Jazoraa (All reviews)

This is like watching a dream. Sometimes when you have those moments where you picture something then you say to yourself that was not reality, the image that came to my mind must be from a different world that I saw somewhere, but not that I can recall when or where. This is like opening a door deep down in your mind and behind that door lies all your lucid dreams and imaginations. watch it for sure, you can never go wrong with this.

I enjoyed this very much. You will experience all kinds of different feelings watching this; fear, love, warmth..etc Spirited Away 2001

3.
Jan 11, 2011
jal90 (All reviews)

This is my first review in MyAnimeList, so I apologize in advance if you find the ideas I’ll put forward here badly written, explained, or structured.

I am going to talk about Spirited Away (yeah, obvious). It’s been quite a long time since I watched it for the last time, more than a year in fact; but I became a really fascinating and influential piece for me at that time, far enough to define my current love for Miyazaki’s works, the Studio Ghibli and animation in general as an art and a strong way of expression. Today it’s still one of my favorite animated features of any sort, and not because of its lack of flaws than of its amazing blend of concepts.

The first thing that appeals to the audience in this movie is its art and animation. I, as inexperienced and poor in technical knowledge about the subject, think it’s utterly fascinating, it manages to create a whole world out of nothing, and the use of lights and shades, forms, and colors make the overall experience a visual joy.

And in addition to that I find the characters’ gestures and movements extremely plastic and realistic, some other scenes have been mentioned in that aspect by other reviewers but I was particularly fond of that one where Chihiro is walking with her parents and she gradually moves away, only to come back to her position with a little run-up. These things don’t happen, usually, in animation. Spirited Away 2001

In so far as they are unnecessary, easily ignorable, and feel like a waste of resources, we hardly see characters making these little movements which in the end result in nothing relevant. Ghibli, however, animates them and does it with such mastery, a love for detail, and a goddamn naturalism that I can’t help but feel amazed.

As if the visual aspect wasn’t good enough, the movie is also a pleasure for our ears and has what I consider the best track of my heavily worshipped Joe Hisaishi, one of the best (if not the best) film composers I have ever heard. Spirited Away is exceptionally good at that aspect; I’d say it’s one of the very few cases in which there is, at some scenes, such a strong fusion between story and music, that I can’t conceive nor think of one without the other. Spirited Away 2001

But despite all of these beautiful qualities about its setting, the real substance of this movie is in its story. I apologize in advance, again, because as I’m going to develop some points I will give some free spoilers. If you haven’t seen the movie I’d recommend stopping reading at this point. Spirited Away 2001

It has been said many times by critics that Spirited Away felt like a senseless blend of magic elements, just a simple story filled with many things the author introduced undiscriminating to drag out the experience. Well, I have a quite different point of view for that device. I just can’t conceive that the animation, for example, is taken to such a high level of detail and, on the other hand, that doesn’t happen with the story. Spirited Away 2001

And by rewatching it repeatedly in a short amount of time (once every two months, more or less), I began to develop some theories about the nature of the world that is depicted here. Spirited Away 2001 Spirited Away 2001

What must be considered at first is that all this magical world, with strange creatures and spells, is just an allegory for the always difficult transition between childhood and the first steps of adulthood. It’s the age you start dealing with responsibility when you realize your acts have consequences and you have to make decisions that will affect your future; you define yourself and the course of your life. Spirited Away 2001

Miyazaki puts these simple concepts by transforming the need of finding an identity into a way to escape the wonderful yet cruel world where Chihiro is suddenly trapped. Its hostility imitates quite well the drama of the process, as it reinforces the need for an additional effort every one of us has to make at some point and reset our lives and our positions. Spirited Away 2001

Does this mean that Yubaba’s world is an undeveloped blend of magic, hostile things that only serve as a situation that Chihiro has to overcome at some point? Well, I don’t think so, as it seems to have a clear structure and hierarchy. One of the stories I see compared more often with this one is Alice in Wonderland. However, I would define that as a blend of unrelated events, a story whose main charm lies in its anarchic, nearly nightmarish, narrative.

Spirited Away 2001 is not like that in any way. In fact, I think there is an effort to transmit a strong sense of logic throughout, it tries to delimit the causes and consequences of every single case. Spirited Away 2001

The key character to understand how Yubaba’s tyranny works are, in my opinion, Lin. She just happens to be the link between Chihiro and the rest of the magical creatures, just like somebody that is in some sort of intermediate level. Her physical appearance looks slightly transformed, but not as much as the rest. She is aware of the existence of another world outside of that one, the importance of remembering her name, her “identity”; and knowing that, she helps Chihiro and takes the role of a mother. Spirited Away 2001

I have the theory that every one of the creatures that live in Yubaba’s world was once human, maybe little boys and girls like Chihiro who couldn’t find the way to escape, or other people; and they ended up forgetting who they were, losing their “humanity” and becoming mere pieces of this world. Lin is a special case because it seems she’s not lost her identity yet, at least not at all, but forgot at one point her name, the key to coming back home, and knows her situation is irreversible.

She maybe observed this in some of her companions when she arrived, and Chihiro reminds herself of that. Maybe because of that, because she knows and appreciates what she’s doomed to lose, she decides to help her in an altruistic way. Spirited Away 2001

And what about Kamaji? Another key character in Chihiro’s development in there; he seems to be quite aware of his situation too. I’d say he is a bit like the “sacrificed” individual, who Yubaba used to start his project and maybe the only one that didn’t lose his identity at all. He’s a slave in this world, he knows it but can’t help it. Spirited Away 2001

So yes, I have a more “adult” and crude view of the overall concept. This definition of the magical public baths as a place where people are doomed to end up losing what makes them “special” is quite harsh and melancholic for a -as targeted and admitted by Miyazaki- kid’s movie, and it might feel even weird, but that’s how I interpreted it and I think it makes some sense. Spirited Away 2001

Does this mean Yubaba is a villain? Well, define villain. Somebody whose only objective in life is to harm people? That’s hardly what Yubaba is. She, for better or for worse, created a world and made it work. She imposed some rules. We could even say she created her own utopia (and that doesn’t mean she is naturally “bad”), why not? And, most important, she has a strong sense of honor, she dictates and also OBEYS her rules.

One of the (maybe) main reasons why she loses her battle against Chihiro, in fact, is that her weakness is shown eventually (giant baby); and reveals a hypocritical attitude, as she is protecting her lovely child from any influence while she’s always preaching the exact contrary. As she knows it, it’s a shameful thing to admit and maybe here is where her image of forcefulness starts to teeter.

All in all, these examples just show that the real strength of this story lies in the characters, as they are always depicted in a detailed way. Yubaba not being the typical villain, or not even being a “villain” at all; Haku, the hero and the “positive” one here has also an overambitious side and is for the most part guilty of his situation… and Chihiro, of course. Spirited Away 2001

She is a spoiled brat who learns to appreciate some things, but in no way overreacting at these points, as she sounds real and relatable at every damn scene. It’s quite easy to understand her, she’s not made to be likable but her portrayal is solid enough to make us join her development through the story.

I could spend hours and hours talking about this precious anime and its many details, the enigmatic role of No Face, the negative influence of the parents on Chihiro’s behavior, and so much more… I love it. It breathes mastery at (almost) every one of its points, and I can enjoy it on many levels. Spirited Away 2001

My only gripe would be the way things are resolved, which I have always found too rushed; reading Miyazaki’s opinion on that ending I’ve come to understand the intention behind it, but still, I’d say the metaphor is made too subtle for the audience, and maybe the execution is also somewhat clumsy. But aside from this minor flaw, I can’t help but admire this fascinating, eye-captivating piece of art, my second favorite anime behind Grave Of The Fireflies. Spirited Away 2001
4.
Apr 27, 2008
slpless (All reviews)

In many ways, this is a difficult review to write. This is because I’m clearly not the target audience, as Spirited Away is a film that is clearly targeted towards children. In the end, I simply decided to review the film as I normally do and leave a disclaimer about not being the target audience. Spirited Away 2001

I first watched this film 5 years ago during my senior year in high school when a friend of mine was raving about it. Back then I found the film to be boring and feature a paper-thin plot. Now 5 years later and a few hundred anime titles later I was compelled to review this. However, since it was 5 years since I viewed the film, I decided to re-watch Spirited Away in preparation for this review as my memory is a bit foggy.

After watching it again, I discovered 2 things about Spirited Away. I now know why I forgot many of the events, thus needed to re-watch it and my perspective about the film really hasn’t changed. Spirited Away 2001

Spirited Away begins with Chihiro&rsquo’s family moving to their new home. Like any normal 10 years old girl she is quite saddened and angry about leaving her old life (hell anyone would feel this way). Chihiro&rsquo’s father makes a wrong turn somewhere and decides to take a shortcut through the forest. Ok, perfectly normal but what gets me is when they see an abandoned building they decided to go in and explore. Spirited Away 2001

Next, they go, “ oh look food that’s sitting out with no-one around” let eat. The events leading up to Chihiro getting trapped in the fantasy world are way too plot device for my taste. However, this isn’t my main complaint about the film, it’s just that the rest is so shallow I can’t really analyze it with much depth. The rest of the story can be summarized by Chihiro getting a job, doing a job, returning something, getting free, and going home. In fact, I’m quite dumbfounded as to how they created a 2-hour movie with this plotline.

Although, perhaps I’m being too critical with the story and story structure that Spirited Away takes. What I think Spirited Away tries to do is create a magical world in which the viewer can escape to. It tries to take us on an adventure to somewhere very different. That is done, studio Ghibli creates a world that is both imaginative and beautiful. Spirited Away 2001

I could go on and on about the world but words wouldn& squo;t do it justice. However, something is very wrong when the only major praise I can give is about the fantasy world that is created. They spend way too much time creating and focusing on this world. When I analyze a few scenes I realize how drawn out Spirited Away makes each scene. They could have easily cut 30-40 minute and have a more focused story. This is how they were able to stretch such a thin plot out for 2 hours.

When reviewing anime I put the most weight on the plot and characters. I&rsquo’ve already talked about how thin and weak the plot is in the above paragraphs. Sadly the characters don’t fare too much better. Chihiro does grow over the course of the movie and in the end, she is a bit stronger and can now face new challenges (i.e. new school, neighborhood, etc).

After going through what she went through, I don’t think a new school will faze her. However, there really isn’t much to Chihiro&rsquo’s character, she’s simply a random girl that happens to go on an inadvertent adventure and becomes a little bit stronger in the end. She feels a bit like an empty shell for the audience to live through. In general, the characterization for the movie feels a bit weak, I mean do we really know these characters? If that’s all there is to these characters, then I have no choice but to conclude that most of them are extremely flat.

Ok now on to the easy part of this review, the technical aspects. It should be no surprise that animation and art are top-notch. This is studio Ghibli and Spirited Away is also a movie so there should be no excuses when it comes to animation. The environments are beautiful and quite vibrant. Characters’ designs are extremely consistent but I don’t like the designs that Studio Ghibli uses. Spirited Away 2001

Not really a negative, just a personal preference. Music really works to create and accent the magical world of Spirited Away. However, the music is nothing too noteworthy, above average I guess. In contrast, the voice work is meh for me in both English and Japanese, nothing really outstanding or bad. However, there really wasn’t nothing in the movie that would require the VAs to show their talent.

As with any Miyazaki films, there are themes of environmentalism along with others, in particular, greed. Thankfully, these themes and ideas never become the focus or become too blatant. Also, I have to add another audience that Spirited Away may have been targeted too. Spirited Away 2001

That would be nostalgic Japanese adults that long for a more traditional setting away from the modern world. In that respect it does a great job however, I’m neither a child nor a Japanese adult disillusioned with the modern world. So it should be no surprise that I’m not very fond of this film, as none of the positives really appeal to me. Those would be the imaginative/magical or nostalgic world of Spirited Away 2001.

Spirited Away is an imaginative and magical world that children will most likely enjoy. In addition, its nostalgic feel will appeal to some Japanese adults. However, it also features a paper-thin plot as well as weak characterization. Spirited Away is a nice watch if you want to get away for 2 hours and turn off your brain but it is ultimately shallow and forgettable. Even now after watching it a few hours ago I’m having a hard time remembering the details.

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During her family’s move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts. Spirited Away anime movie 2001  for free in high-quality streaming.

Spirited Away 2001 (Sen to Chihiro no Kamikakushi, 千と千尋の神隠し) watch online for free. 

ANIME1ST – The Official Source of Anime and Drama. The best streaming anime website with subbed/dubbed anime and with all the new exclusive content for you to watch every day.

 

Spirited Away Movie 2001

Spirited Away 2001

 

Synopsis Spirited Away 2001

Stubborn, spoiled, and naïve, 10-year-old Chihiro Ogino is less than pleased when she and her parents discover an abandoned amusement park on the way to their new house. Cautiously venturing inside, she realizes that there is more to this place than meets the eye, as strange things begin to happen once dusk falls.

Ghostly apparitions and food that turn her parents into pigs are just the starts—Chihiro has unwittingly crossed over into the spirit world. Now trapped, she must summon the courage to live and work amongst spirits, with the help of the enigmatic Haku and the cast of unique characters she meets along the way.

Vivid and intriguing, Sen to Chihiro no Kamikakushi tells the story of Chihiro’s journey through an unfamiliar world as she strives to save her parents and return home. Spirited Away 2001

Background Spirited Away 2001

Sen to Chihiro no Kamikakushi was the highest-grossing film in Japanese history, with a total of ¥30.4 billion from Japanese box office sales alone. It is also the most successful film to debut from Japan, with a total of $289 million worldwide.

This critically acclaimed film has won numerous awards, including the Academy Award, more commonly known as “Oscar”, for Best Animated Feature at the 75th Academy Awards in 2003, as well as the Golden Bear at the 2002 Berlin International Film Festival (alongside Bloody Sunday).

It is also among the top ten in the British Film Institute’s list of the “50 films you should see by the age of 14”. The English version of Sen to Chihiro no Kamikakushi was dubbed by Walt Disney Pictures and premiered in 2002. The film was released on DVD and VHS formats in North America by Buena Vista Home Entertainment in 2003. Spirited Away 2001

Staff Spirited Away 2001

Suzuki, Toshio
Suzuki, Toshio
Producer
Ishii, Tomohiko
Ishii, Tomohiko
Assistant Producer
Miyazaki, Hayao
Miyazaki, Hayao
Director, Script, Storyboard
Kimura, Youmi
Kimura, Youmi
Theme Song Performance, Theme Song Composition

Opening Theme Spirited Away 20001

Ending Theme Spirited Away 20001

Spirited Away Movie 2001

Spirited Away 2001

Reviews Spirited Away

1.

Dec 11, 2008
Aeterna (All reviews)

When I first saw the movie, I didn’t see what the big deal was. All right, so a girl gets whisked away to a fantasy world? We’ve heard that story before. And, unlike many other movies, there’s no dramatic love story or epic battles and action scenes to keep you at the edge of your seat. Consequently, I didn’t think of it as being very exciting.

Still, I watched it again and, for some reason, I got it the second time around. Spirited Away isn’t meant to be anything grand, with all the bells and whistles. It has a quiet, subdued way of telling a simple story about a simple girl in a very strange world. Instead of expecting something huge, just sit back, watch, and appreciate the world and story Miyazaki has finely crafted for us all to enjoy. Spirited Away 2001

To get to the technical aspects… Spirited Away 2001

The art is, of course, amazing. The colors are rich and the animation is fluid. When Chihiro and her family first walk into the spirit world, you can practically feel the breeze as you watch it whisk through the grass. The lights of the spirit world at night are breathtaking. Spirited Away 2001

And watching the train ride closer to the end of the movie, coupled with the amazing music score (the track is called " The Sixth Station"), remains one of my most favorite animation sequences out of anything I’ve seen. This brings me to another point: the music. Spirited Away 2001

I will get this out of the way first – Joe Hisaishi is one of my favorite composers. His music style is very simple, but he makes every note count. Most of his music is quite subdued in nature and takes a careful ear to notice when your eyes are being captivated by what’s going on in the screen, but do take notice if you have the chance. Or search on YouTube for videos of his live performances. Spirited Away 2001

His music is a joy to listen to. Like with Spirited Away, Hisaishi’s music lacks all the " bells and whistles" per se, but its beauty lies in its simplicity. Hisaishi has not failed here in Spirited Away 2001.

I dearly loved the characters. One of the best parts of this movie, for me, was that it lacked any clear good or evil characters. Everyone has a bit of both, though perhaps some allow the evil sides of them to come out a bit more obvious than others. Spirited Away 2001

In this way, it’s very realistic. Granted, the characters were all quite predictable and Chihiro grated on my nerves at times, but overall, I enjoyed each and every one of the characters Miyazaki has created here.

Overall, Spirited Away is one of my favorite movies and will always be a treasured item in my small DVD collection. It requires some patience to get through since it’s not packed with action or drama, but it’s a nice fairy tale to watch and enjoy. Spirited Away 2001

2.
Nov 19, 2015
Jazoraa (All reviews)

This is like watching a dream. Sometimes when you have those moments where you picture something then you say to yourself that was not reality, the image that came to my mind must be from a different world that I saw somewhere, but not that I can recall when or where. This is like opening a door deep down in your mind and behind that door lies all your lucid dreams and imaginations. watch it for sure, you can never go wrong with this.

I enjoyed this very much. You will experience all kinds of different feelings watching this; fear, love, warmth..etc Spirited Away 2001

3.
Jan 11, 2011
jal90 (All reviews)

This is my first review in MyAnimeList, so I apologize in advance if you find the ideas I’ll put forward here badly written, explained, or structured.

I am going to talk about Spirited Away (yeah, obvious). It’s been quite a long time since I watched it for the last time, more than a year in fact; but I became a really fascinating and influential piece for me at that time, far enough to define my current love for Miyazaki’s works, the Studio Ghibli and animation in general as an art and a strong way of expression. Today it’s still one of my favorite animated features of any sort, and not because of its lack of flaws than of its amazing blend of concepts.

The first thing that appeals to the audience in this movie is its art and animation. I, as inexperienced and poor in technical knowledge about the subject, think it’s utterly fascinating, it manages to create a whole world out of nothing, and the use of lights and shades, forms, and colors make the overall experience a visual joy.

And in addition to that I find the characters’ gestures and movements extremely plastic and realistic, some other scenes have been mentioned in that aspect by other reviewers but I was particularly fond of that one where Chihiro is walking with her parents and she gradually moves away, only to come back to her position with a little run-up. These things don’t happen, usually, in animation. Spirited Away 2001

In so far as they are unnecessary, easily ignorable, and feel like a waste of resources, we hardly see characters making these little movements which in the end result in nothing relevant. Ghibli, however, animates them and does it with such mastery, a love for detail, and a goddamn naturalism that I can’t help but feel amazed.

As if the visual aspect wasn’t good enough, the movie is also a pleasure for our ears and has what I consider the best track of my heavily worshipped Joe Hisaishi, one of the best (if not the best) film composers I have ever heard. Spirited Away is exceptionally good at that aspect; I’d say it’s one of the very few cases in which there is, at some scenes, such a strong fusion between story and music, that I can’t conceive nor think of one without the other. Spirited Away 2001

But despite all of these beautiful qualities about its setting, the real substance of this movie is in its story. I apologize in advance, again, because as I’m going to develop some points I will give some free spoilers. If you haven’t seen the movie I’d recommend stopping reading at this point. Spirited Away 2001

It has been said many times by critics that Spirited Away felt like a senseless blend of magic elements, just a simple story filled with many things the author introduced undiscriminating to drag out the experience. Well, I have a quite different point of view for that device. I just can’t conceive that the animation, for example, is taken to such a high level of detail and, on the other hand, that doesn’t happen with the story. Spirited Away 2001

And by rewatching it repeatedly in a short amount of time (once every two months, more or less), I began to develop some theories about the nature of the world that is depicted here. Spirited Away 2001 Spirited Away 2001

What must be considered at first is that all this magical world, with strange creatures and spells, is just an allegory for the always difficult transition between childhood and the first steps of adulthood. It’s the age you start dealing with responsibility when you realize your acts have consequences and you have to make decisions that will affect your future; you define yourself and the course of your life. Spirited Away 2001

Miyazaki puts these simple concepts by transforming the need of finding an identity into a way to escape the wonderful yet cruel world where Chihiro is suddenly trapped. Its hostility imitates quite well the drama of the process, as it reinforces the need for an additional effort every one of us has to make at some point and reset our lives and our positions. Spirited Away 2001

Does this mean that Yubaba’s world is an undeveloped blend of magic, hostile things that only serve as a situation that Chihiro has to overcome at some point? Well, I don’t think so, as it seems to have a clear structure and hierarchy. One of the stories I see compared more often with this one is Alice in Wonderland. However, I would define that as a blend of unrelated events, a story whose main charm lies in its anarchic, nearly nightmarish, narrative.

Spirited Away 2001 is not like that in any way. In fact, I think there is an effort to transmit a strong sense of logic throughout, it tries to delimit the causes and consequences of every single case. Spirited Away 2001

The key character to understand how Yubaba’s tyranny works are, in my opinion, Lin. She just happens to be the link between Chihiro and the rest of the magical creatures, just like somebody that is in some sort of intermediate level. Her physical appearance looks slightly transformed, but not as much as the rest. She is aware of the existence of another world outside of that one, the importance of remembering her name, her “identity”; and knowing that, she helps Chihiro and takes the role of a mother. Spirited Away 2001

I have the theory that every one of the creatures that live in Yubaba’s world was once human, maybe little boys and girls like Chihiro who couldn’t find the way to escape, or other people; and they ended up forgetting who they were, losing their “humanity” and becoming mere pieces of this world. Lin is a special case because it seems she’s not lost her identity yet, at least not at all, but forgot at one point her name, the key to coming back home, and knows her situation is irreversible.

She maybe observed this in some of her companions when she arrived, and Chihiro reminds herself of that. Maybe because of that, because she knows and appreciates what she’s doomed to lose, she decides to help her in an altruistic way. Spirited Away 2001

And what about Kamaji? Another key character in Chihiro’s development in there; he seems to be quite aware of his situation too. I’d say he is a bit like the “sacrificed” individual, who Yubaba used to start his project and maybe the only one that didn’t lose his identity at all. He’s a slave in this world, he knows it but can’t help it. Spirited Away 2001

So yes, I have a more “adult” and crude view of the overall concept. This definition of the magical public baths as a place where people are doomed to end up losing what makes them “special” is quite harsh and melancholic for a -as targeted and admitted by Miyazaki- kid’s movie, and it might feel even weird, but that’s how I interpreted it and I think it makes some sense. Spirited Away 2001

Does this mean Yubaba is a villain? Well, define villain. Somebody whose only objective in life is to harm people? That’s hardly what Yubaba is. She, for better or for worse, created a world and made it work. She imposed some rules. We could even say she created her own utopia (and that doesn’t mean she is naturally “bad”), why not? And, most important, she has a strong sense of honor, she dictates and also OBEYS her rules.

One of the (maybe) main reasons why she loses her battle against Chihiro, in fact, is that her weakness is shown eventually (giant baby); and reveals a hypocritical attitude, as she is protecting her lovely child from any influence while she’s always preaching the exact contrary. As she knows it, it’s a shameful thing to admit and maybe here is where her image of forcefulness starts to teeter.

All in all, these examples just show that the real strength of this story lies in the characters, as they are always depicted in a detailed way. Yubaba not being the typical villain, or not even being a “villain” at all; Haku, the hero and the “positive” one here has also an overambitious side and is for the most part guilty of his situation… and Chihiro, of course. Spirited Away 2001

She is a spoiled brat who learns to appreciate some things, but in no way overreacting at these points, as she sounds real and relatable at every damn scene. It’s quite easy to understand her, she’s not made to be likable but her portrayal is solid enough to make us join her development through the story.

I could spend hours and hours talking about this precious anime and its many details, the enigmatic role of No Face, the negative influence of the parents on Chihiro’s behavior, and so much more… I love it. It breathes mastery at (almost) every one of its points, and I can enjoy it on many levels. Spirited Away 2001

My only gripe would be the way things are resolved, which I have always found too rushed; reading Miyazaki’s opinion on that ending I’ve come to understand the intention behind it, but still, I’d say the metaphor is made too subtle for the audience, and maybe the execution is also somewhat clumsy. But aside from this minor flaw, I can’t help but admire this fascinating, eye-captivating piece of art, my second favorite anime behind Grave Of The Fireflies. Spirited Away 2001
4.
Apr 27, 2008
slpless (All reviews)

In many ways, this is a difficult review to write. This is because I’m clearly not the target audience, as Spirited Away is a film that is clearly targeted towards children. In the end, I simply decided to review the film as I normally do and leave a disclaimer about not being the target audience. Spirited Away 2001

I first watched this film 5 years ago during my senior year in high school when a friend of mine was raving about it. Back then I found the film to be boring and feature a paper-thin plot. Now 5 years later and a few hundred anime titles later I was compelled to review this. However, since it was 5 years since I viewed the film, I decided to re-watch Spirited Away in preparation for this review as my memory is a bit foggy.

After watching it again, I discovered 2 things about Spirited Away. I now know why I forgot many of the events, thus needed to re-watch it and my perspective about the film really hasn’t changed. Spirited Away 2001

Spirited Away begins with Chihiro&rsquo’s family moving to their new home. Like any normal 10 years old girl she is quite saddened and angry about leaving her old life (hell anyone would feel this way). Chihiro&rsquo’s father makes a wrong turn somewhere and decides to take a shortcut through the forest. Ok, perfectly normal but what gets me is when they see an abandoned building they decided to go in and explore. Spirited Away 2001

Next, they go, “ oh look food that’s sitting out with no-one around” let eat. The events leading up to Chihiro getting trapped in the fantasy world are way too plot device for my taste. However, this isn’t my main complaint about the film, it’s just that the rest is so shallow I can’t really analyze it with much depth. The rest of the story can be summarized by Chihiro getting a job, doing a job, returning something, getting free, and going home. In fact, I’m quite dumbfounded as to how they created a 2-hour movie with this plotline.

Although, perhaps I’m being too critical with the story and story structure that Spirited Away takes. What I think Spirited Away tries to do is create a magical world in which the viewer can escape to. It tries to take us on an adventure to somewhere very different. That is done, studio Ghibli creates a world that is both imaginative and beautiful. Spirited Away 2001

I could go on and on about the world but words wouldn& squo;t do it justice. However, something is very wrong when the only major praise I can give is about the fantasy world that is created. They spend way too much time creating and focusing on this world. When I analyze a few scenes I realize how drawn out Spirited Away makes each scene. They could have easily cut 30-40 minute and have a more focused story. This is how they were able to stretch such a thin plot out for 2 hours.

When reviewing anime I put the most weight on the plot and characters. I&rsquo’ve already talked about how thin and weak the plot is in the above paragraphs. Sadly the characters don’t fare too much better. Chihiro does grow over the course of the movie and in the end, she is a bit stronger and can now face new challenges (i.e. new school, neighborhood, etc).

After going through what she went through, I don’t think a new school will faze her. However, there really isn’t much to Chihiro&rsquo’s character, she’s simply a random girl that happens to go on an inadvertent adventure and becomes a little bit stronger in the end. She feels a bit like an empty shell for the audience to live through. In general, the characterization for the movie feels a bit weak, I mean do we really know these characters? If that’s all there is to these characters, then I have no choice but to conclude that most of them are extremely flat.

Ok now on to the easy part of this review, the technical aspects. It should be no surprise that animation and art are top-notch. This is studio Ghibli and Spirited Away is also a movie so there should be no excuses when it comes to animation. The environments are beautiful and quite vibrant. Characters’ designs are extremely consistent but I don’t like the designs that Studio Ghibli uses. Spirited Away 2001

Not really a negative, just a personal preference. Music really works to create and accent the magical world of Spirited Away. However, the music is nothing too noteworthy, above average I guess. In contrast, the voice work is meh for me in both English and Japanese, nothing really outstanding or bad. However, there really wasn’t nothing in the movie that would require the VAs to show their talent.

As with any Miyazaki films, there are themes of environmentalism along with others, in particular, greed. Thankfully, these themes and ideas never become the focus or become too blatant. Also, I have to add another audience that Spirited Away may have been targeted too. Spirited Away 2001

That would be nostalgic Japanese adults that long for a more traditional setting away from the modern world. In that respect it does a great job however, I’m neither a child nor a Japanese adult disillusioned with the modern world. So it should be no surprise that I’m not very fond of this film, as none of the positives really appeal to me. Those would be the imaginative/magical or nostalgic world of Spirited Away 2001.

Spirited Away is an imaginative and magical world that children will most likely enjoy. In addition, its nostalgic feel will appeal to some Japanese adults. However, it also features a paper-thin plot as well as weak characterization. Spirited Away is a nice watch if you want to get away for 2 hours and turn off your brain but it is ultimately shallow and forgettable. Even now after watching it a few hours ago I’m having a hard time remembering the details.

Can’t decide what to watch?

You don´t know what to watch and Spirited Away 2001 isn´t it? Anime1st has done all the work for you, you can visit our Anime list, to discover the best animes, in drama, adventures, action, romance, comedy, sci-fiction, fantasy, horror, and many other genres that will fascinate you with the stories, the characters, and the performance, just in one place.

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Spirited Away Movie 2001

Spirited Away 2001

Rating 0.0
Status: Completed Studio: Country: Type: Movie Censor: Censored
During her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts. Spirited Away anime movie 2001  for free in high-quality streaming. Spirited Away 2001 (Sen to Chihiro no Kamikakushi, 千と千尋の神隠し) watch online for free.  ANIME1ST – The Official Source of Anime and Drama. The best streaming anime website with subbed/dubbed anime and with all the new exclusive content for you to watch every day.   [caption id="attachment_10772" align="aligncenter" width="880"]Spirited Away Movie 2001 Spirited Away 2001[/caption]  

Synopsis Spirited Away 2001

Stubborn, spoiled, and naïve, 10-year-old Chihiro Ogino is less than pleased when she and her parents discover an abandoned amusement park on the way to their new house. Cautiously venturing inside, she realizes that there is more to this place than meets the eye, as strange things begin to happen once dusk falls. Ghostly apparitions and food that turn her parents into pigs are just the starts—Chihiro has unwittingly crossed over into the spirit world. Now trapped, she must summon the courage to live and work amongst spirits, with the help of the enigmatic Haku and the cast of unique characters she meets along the way. Vivid and intriguing, Sen to Chihiro no Kamikakushi tells the story of Chihiro's journey through an unfamiliar world as she strives to save her parents and return home. Spirited Away 2001

Background Spirited Away 2001

Sen to Chihiro no Kamikakushi was the highest-grossing film in Japanese history, with a total of ¥30.4 billion from Japanese box office sales alone. It is also the most successful film to debut from Japan, with a total of $289 million worldwide. This critically acclaimed film has won numerous awards, including the Academy Award, more commonly known as "Oscar", for Best Animated Feature at the 75th Academy Awards in 2003, as well as the Golden Bear at the 2002 Berlin International Film Festival (alongside Bloody Sunday). It is also among the top ten in the British Film Institute's list of the "50 films you should see by the age of 14". The English version of Sen to Chihiro no Kamikakushi was dubbed by Walt Disney Pictures and premiered in 2002. The film was released on DVD and VHS formats in North America by Buena Vista Home Entertainment in 2003. Spirited Away 2001

Staff Spirited Away 2001

Suzuki, Toshio
Suzuki, Toshio
Producer
Ishii, Tomohiko
Ishii, Tomohiko
Assistant Producer
Miyazaki, Hayao
Miyazaki, Hayao
Director, Script, Storyboard
Kimura, Youmi
Kimura, Youmi
Theme Song Performance, Theme Song Composition

Opening Theme Spirited Away 20001

Ending Theme Spirited Away 20001

[caption id="attachment_10768" align="aligncenter" width="620"]Spirited Away Movie 2001 Spirited Away 2001[/caption]

Reviews Spirited Away

1.
Dec 11, 2008
Aeterna (All reviews)
When I first saw the movie, I didn't see what the big deal was. All right, so a girl gets whisked away to a fantasy world? We've heard that story before. And, unlike many other movies, there's no dramatic love story or epic battles and action scenes to keep you at the edge of your seat. Consequently, I didn't think of it as being very exciting. Still, I watched it again and, for some reason, I got it the second time around. Spirited Away isn't meant to be anything grand, with all the bells and whistles. It has a quiet, subdued way of telling a simple story about a simple girl in a very strange world. Instead of expecting something huge, just sit back, watch, and appreciate the world and story Miyazaki has finely crafted for us all to enjoy. Spirited Away 2001 To get to the technical aspects... Spirited Away 2001 The art is, of course, amazing. The colors are rich and the animation is fluid. When Chihiro and her family first walk into the spirit world, you can practically feel the breeze as you watch it whisk through the grass. The lights of the spirit world at night are breathtaking. Spirited Away 2001
And watching the train ride closer to the end of the movie, coupled with the amazing music score (the track is called " The Sixth Station"), remains one of my most favorite animation sequences out of anything I've seen. This brings me to another point: the music. Spirited Away 2001 I will get this out of the way first - Joe Hisaishi is one of my favorite composers. His music style is very simple, but he makes every note count. Most of his music is quite subdued in nature and takes a careful ear to notice when your eyes are being captivated by what's going on in the screen, but do take notice if you have the chance. Or search on YouTube for videos of his live performances. Spirited Away 2001
His music is a joy to listen to. Like with Spirited Away, Hisaishi's music lacks all the " bells and whistles" per se, but its beauty lies in its simplicity. Hisaishi has not failed here in Spirited Away 2001. I dearly loved the characters. One of the best parts of this movie, for me, was that it lacked any clear good or evil characters. Everyone has a bit of both, though perhaps some allow the evil sides of them to come out a bit more obvious than others. Spirited Away 2001
In this way, it's very realistic. Granted, the characters were all quite predictable and Chihiro grated on my nerves at times, but overall, I enjoyed each and every one of the characters Miyazaki has created here. Overall, Spirited Away is one of my favorite movies and will always be a treasured item in my small DVD collection. It requires some patience to get through since it's not packed with action or drama, but it's a nice fairy tale to watch and enjoy. Spirited Away 2001
2.
Nov 19, 2015
Jazoraa (All reviews)
This is like watching a dream. Sometimes when you have those moments where you picture something then you say to yourself that was not reality, the image that came to my mind must be from a different world that I saw somewhere, but not that I can recall when or where. This is like opening a door deep down in your mind and behind that door lies all your lucid dreams and imaginations. watch it for sure, you can never go wrong with this. I enjoyed this very much. You will experience all kinds of different feelings watching this; fear, love, warmth..etc Spirited Away 2001
3.
Jan 11, 2011
jal90 (All reviews)
This is my first review in MyAnimeList, so I apologize in advance if you find the ideas I'll put forward here badly written, explained, or structured. I am going to talk about Spirited Away (yeah, obvious). It's been quite a long time since I watched it for the last time, more than a year in fact; but I became a really fascinating and influential piece for me at that time, far enough to define my current love for Miyazaki's works, the Studio Ghibli and animation in general as an art and a strong way of expression. Today it's still one of my favorite animated features of any sort, and not because of its lack of flaws than of its amazing blend of concepts. The first thing that appeals to the audience in this movie is its art and animation. I, as inexperienced and poor in technical knowledge about the subject, think it's utterly fascinating, it manages to create a whole world out of nothing, and the use of lights and shades, forms, and colors make the overall experience a visual joy.
And in addition to that I find the characters' gestures and movements extremely plastic and realistic, some other scenes have been mentioned in that aspect by other reviewers but I was particularly fond of that one where Chihiro is walking with her parents and she gradually moves away, only to come back to her position with a little run-up. These things don't happen, usually, in animation. Spirited Away 2001
In so far as they are unnecessary, easily ignorable, and feel like a waste of resources, we hardly see characters making these little movements which in the end result in nothing relevant. Ghibli, however, animates them and does it with such mastery, a love for detail, and a goddamn naturalism that I can't help but feel amazed. As if the visual aspect wasn't good enough, the movie is also a pleasure for our ears and has what I consider the best track of my heavily worshipped Joe Hisaishi, one of the best (if not the best) film composers I have ever heard. Spirited Away is exceptionally good at that aspect; I'd say it's one of the very few cases in which there is, at some scenes, such a strong fusion between story and music, that I can't conceive nor think of one without the other. Spirited Away 2001 But despite all of these beautiful qualities about its setting, the real substance of this movie is in its story. I apologize in advance, again, because as I'm going to develop some points I will give some free spoilers. If you haven't seen the movie I'd recommend stopping reading at this point. Spirited Away 2001 It has been said many times by critics that Spirited Away felt like a senseless blend of magic elements, just a simple story filled with many things the author introduced undiscriminating to drag out the experience. Well, I have a quite different point of view for that device. I just can't conceive that the animation, for example, is taken to such a high level of detail and, on the other hand, that doesn't happen with the story. Spirited Away 2001
And by rewatching it repeatedly in a short amount of time (once every two months, more or less), I began to develop some theories about the nature of the world that is depicted here. Spirited Away 2001 Spirited Away 2001 What must be considered at first is that all this magical world, with strange creatures and spells, is just an allegory for the always difficult transition between childhood and the first steps of adulthood. It's the age you start dealing with responsibility when you realize your acts have consequences and you have to make decisions that will affect your future; you define yourself and the course of your life. Spirited Away 2001
Miyazaki puts these simple concepts by transforming the need of finding an identity into a way to escape the wonderful yet cruel world where Chihiro is suddenly trapped. Its hostility imitates quite well the drama of the process, as it reinforces the need for an additional effort every one of us has to make at some point and reset our lives and our positions. Spirited Away 2001 Does this mean that Yubaba's world is an undeveloped blend of magic, hostile things that only serve as a situation that Chihiro has to overcome at some point? Well, I don't think so, as it seems to have a clear structure and hierarchy. One of the stories I see compared more often with this one is Alice in Wonderland. However, I would define that as a blend of unrelated events, a story whose main charm lies in its anarchic, nearly nightmarish, narrative.
Spirited Away 2001 is not like that in any way. In fact, I think there is an effort to transmit a strong sense of logic throughout, it tries to delimit the causes and consequences of every single case. Spirited Away 2001 The key character to understand how Yubaba's tyranny works are, in my opinion, Lin. She just happens to be the link between Chihiro and the rest of the magical creatures, just like somebody that is in some sort of intermediate level. Her physical appearance looks slightly transformed, but not as much as the rest. She is aware of the existence of another world outside of that one, the importance of remembering her name, her "identity"; and knowing that, she helps Chihiro and takes the role of a mother. Spirited Away 2001
I have the theory that every one of the creatures that live in Yubaba's world was once human, maybe little boys and girls like Chihiro who couldn't find the way to escape, or other people; and they ended up forgetting who they were, losing their "humanity" and becoming mere pieces of this world. Lin is a special case because it seems she's not lost her identity yet, at least not at all, but forgot at one point her name, the key to coming back home, and knows her situation is irreversible.
She maybe observed this in some of her companions when she arrived, and Chihiro reminds herself of that. Maybe because of that, because she knows and appreciates what she's doomed to lose, she decides to help her in an altruistic way. Spirited Away 2001 And what about Kamaji? Another key character in Chihiro's development in there; he seems to be quite aware of his situation too. I'd say he is a bit like the "sacrificed" individual, who Yubaba used to start his project and maybe the only one that didn't lose his identity at all. He's a slave in this world, he knows it but can't help it. Spirited Away 2001 So yes, I have a more "adult" and crude view of the overall concept. This definition of the magical public baths as a place where people are doomed to end up losing what makes them "special" is quite harsh and melancholic for a -as targeted and admitted by Miyazaki- kid's movie, and it might feel even weird, but that's how I interpreted it and I think it makes some sense. Spirited Away 2001 Does this mean Yubaba is a villain? Well, define villain. Somebody whose only objective in life is to harm people? That's hardly what Yubaba is. She, for better or for worse, created a world and made it work. She imposed some rules. We could even say she created her own utopia (and that doesn't mean she is naturally "bad"), why not? And, most important, she has a strong sense of honor, she dictates and also OBEYS her rules.
One of the (maybe) main reasons why she loses her battle against Chihiro, in fact, is that her weakness is shown eventually (giant baby); and reveals a hypocritical attitude, as she is protecting her lovely child from any influence while she's always preaching the exact contrary. As she knows it, it's a shameful thing to admit and maybe here is where her image of forcefulness starts to teeter. All in all, these examples just show that the real strength of this story lies in the characters, as they are always depicted in a detailed way. Yubaba not being the typical villain, or not even being a "villain" at all; Haku, the hero and the "positive" one here has also an overambitious side and is for the most part guilty of his situation... and Chihiro, of course. Spirited Away 2001
She is a spoiled brat who learns to appreciate some things, but in no way overreacting at these points, as she sounds real and relatable at every damn scene. It's quite easy to understand her, she's not made to be likable but her portrayal is solid enough to make us join her development through the story. I could spend hours and hours talking about this precious anime and its many details, the enigmatic role of No Face, the negative influence of the parents on Chihiro's behavior, and so much more... I love it. It breathes mastery at (almost) every one of its points, and I can enjoy it on many levels. Spirited Away 2001
My only gripe would be the way things are resolved, which I have always found too rushed; reading Miyazaki's opinion on that ending I've come to understand the intention behind it, but still, I'd say the metaphor is made too subtle for the audience, and maybe the execution is also somewhat clumsy. But aside from this minor flaw, I can't help but admire this fascinating, eye-captivating piece of art, my second favorite anime behind Grave Of The Fireflies. Spirited Away 2001
4.
Apr 27, 2008
slpless (All reviews)
In many ways, this is a difficult review to write. This is because I’m clearly not the target audience, as Spirited Away is a film that is clearly targeted towards children. In the end, I simply decided to review the film as I normally do and leave a disclaimer about not being the target audience. Spirited Away 2001 I first watched this film 5 years ago during my senior year in high school when a friend of mine was raving about it. Back then I found the film to be boring and feature a paper-thin plot. Now 5 years later and a few hundred anime titles later I was compelled to review this. However, since it was 5 years since I viewed the film, I decided to re-watch Spirited Away in preparation for this review as my memory is a bit foggy.
After watching it again, I discovered 2 things about Spirited Away. I now know why I forgot many of the events, thus needed to re-watch it and my perspective about the film really hasn’t changed. Spirited Away 2001 Spirited Away begins with Chihiro&rsquo's family moving to their new home. Like any normal 10 years old girl she is quite saddened and angry about leaving her old life (hell anyone would feel this way). Chihiro&rsquo's father makes a wrong turn somewhere and decides to take a shortcut through the forest. Ok, perfectly normal but what gets me is when they see an abandoned building they decided to go in and explore. Spirited Away 2001
Next, they go, “ oh look food that’s sitting out with no-one around” let eat. The events leading up to Chihiro getting trapped in the fantasy world are way too plot device for my taste. However, this isn’t my main complaint about the film, it’s just that the rest is so shallow I can’t really analyze it with much depth. The rest of the story can be summarized by Chihiro getting a job, doing a job, returning something, getting free, and going home. In fact, I’m quite dumbfounded as to how they created a 2-hour movie with this plotline. Although, perhaps I’m being too critical with the story and story structure that Spirited Away takes. What I think Spirited Away tries to do is create a magical world in which the viewer can escape to. It tries to take us on an adventure to somewhere very different. That is done, studio Ghibli creates a world that is both imaginative and beautiful. Spirited Away 2001
I could go on and on about the world but words wouldn& squo;t do it justice. However, something is very wrong when the only major praise I can give is about the fantasy world that is created. They spend way too much time creating and focusing on this world. When I analyze a few scenes I realize how drawn out Spirited Away makes each scene. They could have easily cut 30-40 minute and have a more focused story. This is how they were able to stretch such a thin plot out for 2 hours. When reviewing anime I put the most weight on the plot and characters. I&rsquo've already talked about how thin and weak the plot is in the above paragraphs. Sadly the characters don’t fare too much better. Chihiro does grow over the course of the movie and in the end, she is a bit stronger and can now face new challenges (i.e. new school, neighborhood, etc).
After going through what she went through, I don’t think a new school will faze her. However, there really isn’t much to Chihiro&rsquo's character, she’s simply a random girl that happens to go on an inadvertent adventure and becomes a little bit stronger in the end. She feels a bit like an empty shell for the audience to live through. In general, the characterization for the movie feels a bit weak, I mean do we really know these characters? If that’s all there is to these characters, then I have no choice but to conclude that most of them are extremely flat. Ok now on to the easy part of this review, the technical aspects. It should be no surprise that animation and art are top-notch. This is studio Ghibli and Spirited Away is also a movie so there should be no excuses when it comes to animation. The environments are beautiful and quite vibrant. Characters' designs are extremely consistent but I don’t like the designs that Studio Ghibli uses. Spirited Away 2001
Not really a negative, just a personal preference. Music really works to create and accent the magical world of Spirited Away. However, the music is nothing too noteworthy, above average I guess. In contrast, the voice work is meh for me in both English and Japanese, nothing really outstanding or bad. However, there really wasn’t nothing in the movie that would require the VAs to show their talent. As with any Miyazaki films, there are themes of environmentalism along with others, in particular, greed. Thankfully, these themes and ideas never become the focus or become too blatant. Also, I have to add another audience that Spirited Away may have been targeted too. Spirited Away 2001
That would be nostalgic Japanese adults that long for a more traditional setting away from the modern world. In that respect it does a great job however, I’m neither a child nor a Japanese adult disillusioned with the modern world. So it should be no surprise that I’m not very fond of this film, as none of the positives really appeal to me. Those would be the imaginative/magical or nostalgic world of Spirited Away 2001. Spirited Away is an imaginative and magical world that children will most likely enjoy. In addition, its nostalgic feel will appeal to some Japanese adults. However, it also features a paper-thin plot as well as weak characterization. Spirited Away is a nice watch if you want to get away for 2 hours and turn off your brain but it is ultimately shallow and forgettable. Even now after watching it a few hours ago I’m having a hard time remembering the details.

Can’t decide what to watch?

You don´t know what to watch and Spirited Away 2001 isn´t it? Anime1st has done all the work for you, you can visit our Anime list, to discover the best animes, in drama, adventures, action, romance, comedy, sci-fiction, fantasy, horror, and many other genres that will fascinate you with the stories, the characters, and the performance, just in one place. ANIME1ST, the best online streaming anime website for free, and with exclusive content every day. And don’t forget to follow us ♥

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